Amalia Lindo (b. 1990, United States) is a multi-disciplinary artist based in Naarm/Melbourne. She immigrated to Australia from Harare, Zimbabwe in 2005, and is of Hispanic-American origin. Working across video, sculpture, installation, drawing, and photography, Lindo explores the complex interplay between humans and technology. Her work examines the social and environmental impacts of technological production, with a particular focus on the hidden supply chains that drive emerging technologies through the extraction of data, human labour, and natural resources. In her recent works, Lindo draws on early consumer electronics and gaming to surface the materials, schematics, and behavioural logic that contemporary devices are designed to conceal. Her practice is driven by ideas rather than fixed materials or methods, and frequently involves collaboration with contributors from scientific, creative, and digital labour contexts. 

Amalia completed a Bachelor of Fine Art (First Class Honours) at Monash University in 2016, where she is a sessional lecturer in the drawing faculty. She was the winner of The Digital Art Prize (2022), and is a finalist in the upcoming National Photography Prize (2026) at Murray Art Museum Albury. She was a finalist in the Ellen José Art Award (2025), the Wyndham Art Prize (2026), and the Darebin Art Prize (2026), as is the recipient of the 2027 West Space Commission. Recent exhibitions include: both/and, Haydens, 2026; Spring1883 Art Fair, The Hotel Windsor, 2025; Before Now, Composite Moving Image Agency, 2024; Melbourne Now, National Gallery of Victoria, 2023; and The Image Looks Back, RMIT Gallery, 2021. Her works are held in collections such as the National Gallery of Victoria and private collections in Australia, New Zealand and the United States.

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