Darcey Bella Arnold works between painting, sculpture and drawing in a research-based practice that anatomises language to annotate its necessity, fallibility and creative potential. Arnold deploys strategies of metaphor, recollection, double entendre, repetition and humour to examine familiar histories, obfuscate conventional symbolism and re-examine cultural touchstones. Individual works often correspond both spatially and conceptually, drawing viewers into installation-driven environments. Kinship and familiarity punctuate an inventive pictorial world constructed through liberal samplings from art history, contemporary politics, personal archives and popular culture.

Arnold received her BFA at the Victorian College of the Arts, University of Melbourne in 2007, and Honours from Monash University, Melbourne in 2009. She has undertaken prestigious residencies both in Australian and international contexts, including Mornington Peninsula Regional Gallery AIR Programme (Monmar, VIC, 2024); DESA (Ubud, Indonesia, 2024); Gertrude Studios (Naarm/Melbourne, VIC, 2020–2022) and the Eastside International Artist Residency (Los Angeles, USA, 2016).

Arnold’s work has been shown in institutions and museums across Australia including the Institute of Modern Art, Brisbane; Gertrude Contemporary, Melbourne; UNSW Galleries, Sydney; Geelong Gallery, Geelong; La Trobe Art Institute, Bendigo and the Perth Institute of Contemporary Art, Western Australia. Recently, Arnold’s work was included in the inaugural Melbourne Sculpture Biennale (2024) and commissioned in the Lorne Sculpture Biennale (2025).