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<channel>
	<title>Haydens</title>
	<link>https://haydens.gallery</link>
	<description>Haydens</description>
	<pubDate>Mon, 09 Nov 2026 04:39:19 +0000</pubDate>
	<generator>https://haydens.gallery</generator>
	<language>en</language>
	
		
	<item>
		<title>EARTH</title>
				
		<link>https://haydens.gallery/EARTH</link>

		<pubDate>Mon, 09 Nov 2026 04:39:19 +0000</pubDate>

		<dc:creator>Haydens</dc:creator>

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		<description>
	EARTH
Luke Brennan, Renee Cosgrave, Amalia Lindo, Nicholas Smith, Jacqueline Stojanović, Sebastian Temple

13.11.2026 - 05.12.2026

Opening Celebration:
Friday 13th of November
6 - 8 pmFL 1, 130 Bridge Road
Richmond 3121
 


	

Haydens is pleased to present EARTH, a group exhibition featuring new and existing works from our stockroom that are from the earth, or of the earth. Please join us to celebrate the opening of this exhibition on Friday the 13th of November from 6 - 8 pm.

Luke Brennan appears courtesy 1301SW.
	
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3da8f8038ec99f092d9841186675f2e02e73e07dcd7992498a77bb160a676669/JS-copy.jpg" data-mid="254139787" border="0" alt="Jacqueline Stojanović, Field Drawing IX, 2026, Pomegranates, eucalyptus, indigo, safflower, wild cherry ballart, and peppermint gum, cotton silk, and wool on metal mesh, 44 x 40 x 3.5 cm." data-caption="Jacqueline Stojanović, Field Drawing IX, 2026, Pomegranates, eucalyptus, indigo, safflower, wild cherry ballart, and peppermint gum, cotton silk, and wool on metal mesh, 44 x 40 x 3.5 cm." src="https://freight.cargo.site/w/1000/i/3da8f8038ec99f092d9841186675f2e02e73e07dcd7992498a77bb160a676669/JS-copy.jpg" /&#62;


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	<item>
		<title>Jan van der Ploeg</title>
				
		<link>https://haydens.gallery/Jan-van-der-Ploeg</link>

		<pubDate>Tue, 28 Oct 2025 06:53:38 +0000</pubDate>

		<dc:creator>Haydens</dc:creator>

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		<description>
	JAN VAN DER PLOEG
Jan van der Ploeg
30.10.2026 - 28.11.2026 


	

Haydens is pleased to present a solo exhibition by Jan van der Ploeg at our Brunswick East gallery.
Van der Ploeg likes to work with an organized and recognizable graphical visual language that he has carefully constructed throughout his career. Since 1997 he works with a basic form that occurs in many of his paintings and functions like an anchor amidst the endless potentiality of forms and shapes. This form that he metaphorically titled “grip” is a rectangle with rounded corners and has only in his recent paintings been slightly varied upon. Another recurring element is the use of patterns created through repetition of form. It is within this kind of methodologies and restrictions that Van der Ploeg excels; in limitation does the master reveal himself. Van der Ploeg paintings are closest to his sketching proces which is the premises of all his art works. A careful process of planning and constructing that takes place before painting even begins. Making a composition is like shuffling with flat building blocks of graphical forms and experimenting with an infinite palette of tints and colors. This is Van der Ploeg’s confined playground wherein he finds the utter freedom and pleasure to create forever more surprising but very well balanced combinations.


Jan van der Ploeg (1959, Amsterdam) graduated from the Gerrit Rietveld Academie, Amsterdam and Croydon College of Art in London and was a resident at the Rijksakademie van Beeldende Kunsten in Amsterdam. In 1990 Jan van der Ploeg has been awarded the Royal Award for Modern Painting.


He exhibited his work extensively in both solo and group exhibitions in Europe, North America, Asia, Australia, and New Zealand. Selected exhibitions include: Hammer Museum, Los Angeles; MOMA PS1, New York; Kunsthaus Baselland, Bazel; Kunsthal Charlottenborg, Kopenhagen; Kunstverein Heilbronn, Heilbronn; Von Bartha, Bazel; Minus Space, New York; Sikkema Jenkins, New York; Wellington City Art Gallery, Wellington; Starkwhite, Auckland; Sumer, Auckland; Taubert Contemporary, Berlin; Shane Campbell Gallery, Chicago; Cleveland Triennial for Contemporary Art, Cleveland; Sarah Cottier Gallery, Sydney; Hamish McKay Gallery, Wellington; National Gallery of Victoria, Melbourne; Galerie Les filles du calvaire, Brussels/Paris; Kunsthal, Rotterdam; Dunedin Public Art Gallery, Dunedin; Mercedes-Benz Art Collection, Stuttgart; Ludwig Forum für Internationale Kunst, Aachen; Kunst-Station, Wolfsburg; Perth Institut of Contemporary Art, Perth; Museum für Neue Kunst/ZKM, Karlsruhe; Museum of Concrete Art, Ingolstadt; Kunstmuseum der Stadt Ulm, Ulm; CCA Andratx, Mallorca; Mies van der Rohe Haus, Berlin; Escher in Het Paleis, Den Haag; Museum Villa Mondriaan, Winterswijk; Museum Boijmans van Beuningen, Rotterdam; Kunstmuseum, Den Haag and the Stedelijk Museum in Amsterdam


In 1999 Jan van der Ploeg founded the artist-run gallery, PS projectspace in Amsterdam.




	
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	<item>
		<title>Garage Days Revisited Returnal Return Redux (Reprised…)</title>
				
		<link>https://haydens.gallery/Garage-Days-Revisited-Returnal-Return-Redux-Reprised</link>

		<pubDate>Tue, 11 Aug 2026 05:19:30 +0000</pubDate>

		<dc:creator>Haydens</dc:creator>

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Garage Days Revisited Returnal Return Redux (Reprised…)



Masato Takasaka
18.09.2026 - 17.10.2026
	Haydens is pleased to present Garage Days Re-revisited Returnal Return Redux (Reprised..), a solo exhibition by Masato Takasaka at Haydens, Brunswick East. 

Masato Takasaka (b. 1977, Melbourne, Australia) is a Japanese Australian visual artist, writer, curator and sometimes musician. He holds a PhD in Visual Arts from Monash University and is a Lecturer in Visual Art at the Victorian College of the Arts, Faculty of Fine Arts and Music, University of Melbourne. Previously having performed as a lead guitarist in uber-hip rock bands as well as practicing as a visual artist, Masato thinks about his studio practice in musical terms, describing his aesthetic as an iPod Shuffle: playing the greatest hits of 20th century avant-garde art, with references to constructivism, dada, pop and minimalism alongside the back catalogue of his own greatest hits.
“How do you get to be an artist? How do you get to be a real artist? Or even a fake artist? Perhaps as distinguished from a ‘Sunday painter,’ or some such? Are these even questions, let alone real questions? After all, ‘art’ itself — although maybe ‘itself’ should itself be in scare quotes here — is not really a real thing, right? It’s just a semblance, a creation, an invention on the basis of a kind of local social practice that doesn’t have any ultimate definition or substance, any essence that could enable us to recognise it as such. Actually, it doesn’t even lack an essence either, since the very flight from essence might in turn become a kind of point which could potentially permit a stabilization of its evanescent dissembling.”

- Excerpt from Justin Clemens accompanying essay


	
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&#60;img width="1500" height="1526" width_o="1500" height_o="1526" data-src="https://freight.cargo.site/t/original/i/57e44d0d889892f8e98b56c5cdc0923b26d78cfde4a8b16fe9693562e49b1346/MT_Cropped-4.jpg" data-mid="252426794" border="0" alt="Untitled #31, Garage Days Revisited 1994, 2026, Acrylic and pencil on canvas, 96 x 96 cm" data-caption="Untitled #31, Garage Days Revisited 1994, 2026, Acrylic and pencil on canvas, 96 x 96 cm" src="https://freight.cargo.site/w/1000/i/57e44d0d889892f8e98b56c5cdc0923b26d78cfde4a8b16fe9693562e49b1346/MT_Cropped-4.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/896caef53821629acac2611fcf7bdc57827c74aa5536b438d525c310cb412eb5/MT_Install-8.jpg" data-mid="252427000" border="0"  src="https://freight.cargo.site/w/1000/i/896caef53821629acac2611fcf7bdc57827c74aa5536b438d525c310cb412eb5/MT_Install-8.jpg" /&#62;
&#60;img width="1500" height="1526" width_o="1500" height_o="1526" data-src="https://freight.cargo.site/t/original/i/28d83c3e4939e4e53614d192904ca3f084d8d771f69338a0b90f5e58a0cb9f9f/MT_Cropped-5.jpg" data-mid="252426796" border="0" alt="Untitled #32, Garage Days Revisited 1994, 2026, Acrylic and pencil on canvas, 96 x 96 cm" data-caption="Untitled #32, Garage Days Revisited 1994, 2026, Acrylic and pencil on canvas, 96 x 96 cm" src="https://freight.cargo.site/w/1000/i/28d83c3e4939e4e53614d192904ca3f084d8d771f69338a0b90f5e58a0cb9f9f/MT_Cropped-5.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/7a198620734f51856aed714428954a0ee84aae9b84c2353b775188f0c8b35dc0/MT_Install-5.jpg" data-mid="252427016" border="0"  src="https://freight.cargo.site/w/1000/i/7a198620734f51856aed714428954a0ee84aae9b84c2353b775188f0c8b35dc0/MT_Install-5.jpg" /&#62;
&#60;img width="1500" height="1526" width_o="1500" height_o="1526" data-src="https://freight.cargo.site/t/original/i/8e192a93517333c864a6b0855181687ac4c825b9e37418ad3baff39562149990/MT_Cropped.jpg" data-mid="252426800" border="0" alt="Untitled #33, Garage Days Revisited 1994, 2026, Acrylic and pencil on canvas, 96 x 96 cm" data-caption="Untitled #33, Garage Days Revisited 1994, 2026, Acrylic and pencil on canvas, 96 x 96 cm" src="https://freight.cargo.site/w/1000/i/8e192a93517333c864a6b0855181687ac4c825b9e37418ad3baff39562149990/MT_Cropped.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/70c54efee19a45af741a08e34dc9f3c6eef95bd3920f89bea39e2135deb008bf/MT_Install-2.jpg" data-mid="252426898" border="0"  src="https://freight.cargo.site/w/1000/i/70c54efee19a45af741a08e34dc9f3c6eef95bd3920f89bea39e2135deb008bf/MT_Install-2.jpg" /&#62;
&#60;img width="1500" height="1900" width_o="1500" height_o="1900" data-src="https://freight.cargo.site/t/original/i/40bb9f8678b84064c9c16d206cf1f0a73c1902be133600d1ab82687b12423d9f/MT_Cropped-6.jpg" data-mid="252426798" border="0"  src="https://freight.cargo.site/w/1000/i/40bb9f8678b84064c9c16d206cf1f0a73c1902be133600d1ab82687b12423d9f/MT_Cropped-6.jpg" /&#62;
&#60;img width="2067" height="2805" width_o="2067" height_o="2805" data-src="https://freight.cargo.site/t/original/i/9f11093efbec1b79157126a74a3f7a3e3c3f23fdcd605a0ef73de9ae2b1143a9/GaragDays-Poster-V3.jpg" data-mid="252428008" border="0"  src="https://freight.cargo.site/w/1000/i/9f11093efbec1b79157126a74a3f7a3e3c3f23fdcd605a0ef73de9ae2b1143a9/GaragDays-Poster-V3.jpg" /&#62;
&#60;img width="2067" height="2761" width_o="2067" height_o="2761" data-src="https://freight.cargo.site/t/original/i/aa9821965a8466340009e4148d322a2686c4ce5372ddf473a91039d410372c1c/GaragDays-Poster-V3-copy.jpg" data-mid="252428007" border="0"  src="https://freight.cargo.site/w/1000/i/aa9821965a8466340009e4148d322a2686c4ce5372ddf473a91039d410372c1c/GaragDays-Poster-V3-copy.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Stocktake</title>
				
		<link>https://haydens.gallery/Stocktake</link>

		<pubDate>Tue, 11 Aug 2026 05:20:34 +0000</pubDate>

		<dc:creator>Haydens</dc:creator>

		<guid isPermaLink="true">https://haydens.gallery/Stocktake</guid>

		<description>
	︎ Stocktake ︎
14.08.2026 - 29.08.2026
	Selected works from our stock room, on view from Friday the 14th until Saturday the 29th of August.
	
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/5a28e0d3221e4502fe3ac3cd90556d580c72f728d566fed287125ecf67445119/Stocktake.jpg" data-mid="251138283" border="0"  src="https://freight.cargo.site/w/1000/i/5a28e0d3221e4502fe3ac3cd90556d580c72f728d566fed287125ecf67445119/Stocktake.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/8f52469337ef530513b02c78ac453785c92dfe9303aa504fee627f8a573b1eca/Tierra-Plana-Mufulira-Copper-Mine--1956--2026--Crysocolla--copper--clay--graphite-and-pen-on-paper--framed--103-x-83-x-4-cm-copy.jpg" data-mid="251448513" border="0" alt="Amalia Lindo, Tierra Plana (Mufulira Copper Mine, 1956), 2026, Crysocolla, copper, clay, graphite and pen on paper, framed, 103 x 83 x 4 cm" data-caption="Amalia Lindo, Tierra Plana (Mufulira Copper Mine, 1956), 2026, Crysocolla, copper, clay, graphite and pen on paper, framed, 103 x 83 x 4 cm" src="https://freight.cargo.site/w/1000/i/8f52469337ef530513b02c78ac453785c92dfe9303aa504fee627f8a573b1eca/Tierra-Plana-Mufulira-Copper-Mine--1956--2026--Crysocolla--copper--clay--graphite-and-pen-on-paper--framed--103-x-83-x-4-cm-copy.jpg" /&#62;
&#60;img width="1500" height="2100" width_o="1500" height_o="2100" data-src="https://freight.cargo.site/t/original/i/500de1d52b3988f209d681f8b84be0d1dd31bb3e52384bf6779b4a9f8012b4c9/JS-13-copy.jpg" data-mid="251448503" border="0" alt="Jacqueline Stojanović, Wish IX, 2026, Ground pigment, oil medium, shellac on wood, 7 x 7 x 1 cm" data-caption="Jacqueline Stojanović, Wish IX, 2026, Ground pigment, oil medium, shellac on wood, 7 x 7 x 1 cm" src="https://freight.cargo.site/w/1000/i/500de1d52b3988f209d681f8b84be0d1dd31bb3e52384bf6779b4a9f8012b4c9/JS-13-copy.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/d0d246482074f8e63d90cab98eb3be97b1f5ab10449540c4609760d6dc8c15b7/Danica-Chappell--Shadow-Shaping--6--Chromogenic-photograph--framed-with-timber-and-glass--142-x-121-cm-copy.jpg" data-mid="251448497" border="0" alt="Danica Chappell, Shadow Shaping #6, Chromogenic photograph, framed with timber and glass, 142 x 121 cm" data-caption="Danica Chappell, Shadow Shaping #6, Chromogenic photograph, framed with timber and glass, 142 x 121 cm" src="https://freight.cargo.site/w/1000/i/d0d246482074f8e63d90cab98eb3be97b1f5ab10449540c4609760d6dc8c15b7/Danica-Chappell--Shadow-Shaping--6--Chromogenic-photograph--framed-with-timber-and-glass--142-x-121-cm-copy.jpg" /&#62;
&#60;img width="1417" height="1365" width_o="1417" height_o="1365" data-src="https://freight.cargo.site/t/original/i/5f423c6162aeef47c8b5bb1106c9f2e995c3baafbb81b05833eae7f03effec59/ReneeCosgrave_Ireland_2019-copy.jpg" data-mid="251448505" border="0" alt="Renee Cosgrave, Ireland, 2019, Oil on linen, 116 x 122 cm" data-caption="Renee Cosgrave, Ireland, 2019, Oil on linen, 116 x 122 cm" src="https://freight.cargo.site/w/1000/i/5f423c6162aeef47c8b5bb1106c9f2e995c3baafbb81b05833eae7f03effec59/ReneeCosgrave_Ireland_2019-copy.jpg" /&#62;
&#60;img width="1778" height="1500" width_o="1778" height_o="1500" data-src="https://freight.cargo.site/t/original/i/8e91904e1b80e9371f1ff7bd454c54942301da1b6f150b0bac81a3db63919f80/Seb_Drawings-04-copy.jpg" data-mid="251448508" border="0" alt="Sebastian Temple, 24 year old pencil, 2025, Coloured pencil on paper, framed in Huon Pine, 81.5 x 97 cm" data-caption="Sebastian Temple, 24 year old pencil, 2025, Coloured pencil on paper, framed in Huon Pine, 81.5 x 97 cm" src="https://freight.cargo.site/w/1000/i/8e91904e1b80e9371f1ff7bd454c54942301da1b6f150b0bac81a3db63919f80/Seb_Drawings-04-copy.jpg" /&#62;
&#60;img width="1778" height="1500" width_o="1778" height_o="1500" data-src="https://freight.cargo.site/t/original/i/1c6368818f21cdf4ce7d3801ec47810ba369a2a75fbcb3c68ff05fe0bcefbe8f/Seb_Drawings-02-copy.jpg" data-mid="251448507" border="0" alt="Sebastian Temple, DIY jumble, 2025, Coloured pencil on paper, framed in American Walnut, 81.5 x 97 cm" data-caption="Sebastian Temple, DIY jumble, 2025, Coloured pencil on paper, framed in American Walnut, 81.5 x 97 cm" src="https://freight.cargo.site/w/1000/i/1c6368818f21cdf4ce7d3801ec47810ba369a2a75fbcb3c68ff05fe0bcefbe8f/Seb_Drawings-02-copy.jpg" /&#62;

&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/e817d5b77c72b34a8aeed2f3208a07b267bb0d7170401e92758cc23b8805d28b/Jacqueline-Stojanovic--Triptych-II--2022-23--wool--cotton-and-linen--152.5-x-92-x-2.5-cm-copy.jpg" data-mid="251448500" border="0" alt="Jacqueline Stojanović, Triptych II, 2022-23, Wool, cotton and linen, 152.5 x 92 x 2.5 cm" data-caption="Jacqueline Stojanović, Triptych II, 2022-23, Wool, cotton and linen, 152.5 x 92 x 2.5 cm" src="https://freight.cargo.site/w/1000/i/e817d5b77c72b34a8aeed2f3208a07b267bb0d7170401e92758cc23b8805d28b/Jacqueline-Stojanovic--Triptych-II--2022-23--wool--cotton-and-linen--152.5-x-92-x-2.5-cm-copy.jpg" /&#62;
&#60;img width="844" height="1500" width_o="844" height_o="1500" data-src="https://freight.cargo.site/t/original/i/a87604668178b8baec917b8105a411aab3cafdec2366b1a8ba92b75dd050630c/Anu-Kumar--Untitled--24--2023--Archival-pigment-print-on-Canson-Rag-Photographique--100-x-100-cm--E-15---2-AP-copy.jpg" data-mid="251448481" border="0" alt="Anu Kumar, Untitled #24, 2023, Archival pigment print on Canson Rag Photographique, 100 x 100 cm, E 1/5 + 2 AP" data-caption="Anu Kumar, Untitled #24, 2023, Archival pigment print on Canson Rag Photographique, 100 x 100 cm, E 1/5 + 2 AP" src="https://freight.cargo.site/w/844/i/a87604668178b8baec917b8105a411aab3cafdec2366b1a8ba92b75dd050630c/Anu-Kumar--Untitled--24--2023--Archival-pigment-print-on-Canson-Rag-Photographique--100-x-100-cm--E-15---2-AP-copy.jpg" /&#62;
&#60;img width="3200" height="4000" width_o="3200" height_o="4000" data-src="https://freight.cargo.site/t/original/i/27c689fa5045206c7b9333e3720fe3268474a8a9e8db98ae67d01d6d7a821b35/IMG_8017-Edit-copy-2.jpg" data-mid="251448652" border="0" alt="Guy Grabowsky, The Image, 2018,  Hand printed, Analogue C-type photographic print, framed, 250 x 180 cm, E 2/3 + 2 AP" data-caption="Guy Grabowsky, The Image, 2018,  Hand printed, Analogue C-type photographic print, framed, 250 x 180 cm, E 2/3 + 2 AP" src="https://freight.cargo.site/w/1000/i/27c689fa5045206c7b9333e3720fe3268474a8a9e8db98ae67d01d6d7a821b35/IMG_8017-Edit-copy-2.jpg" /&#62;
&#60;img width="6526" height="4941" width_o="6526" height_o="4941" data-src="https://freight.cargo.site/t/original/i/91043a122c0bc29e2d45460f847ac1d75cd4052a9962209dfeb385fe9b568508/SamRountreeWilliams_Anxiety2017-copy.jpg" data-mid="251448506" border="0" alt="Sam Rountree Williams, Anxieties, 2017, Oil on linen, 123 x 164 cm" data-caption="Sam Rountree Williams, Anxieties, 2017, Oil on linen, 123 x 164 cm" src="https://freight.cargo.site/w/1000/i/91043a122c0bc29e2d45460f847ac1d75cd4052a9962209dfeb385fe9b568508/SamRountreeWilliams_Anxiety2017-copy.jpg" /&#62;
&#60;img width="6000" height="7965" width_o="6000" height_o="7965" data-src="https://freight.cargo.site/t/original/i/c7bdddafdd7476f7bfdf7b3720207ab990d0fb137002e00e13f63137c45944c4/Appearances--2023--computerised-mat-cut-mat-board--RA-4-colour-hand-print-on-fujicolour-crystal-archive--388-x-483mm-copy.jpg" data-mid="251448483" border="0" alt="Tim Wagg, Appearances, 2023, Computerised mat cut mat board, RA-4 colour hand print on fujicolour crystal archive, 48.3 x 38.8 cm, E 2/3 + 1 AP" data-caption="Tim Wagg, Appearances, 2023, Computerised mat cut mat board, RA-4 colour hand print on fujicolour crystal archive, 48.3 x 38.8 cm, E 2/3 + 1 AP" src="https://freight.cargo.site/w/1000/i/c7bdddafdd7476f7bfdf7b3720207ab990d0fb137002e00e13f63137c45944c4/Appearances--2023--computerised-mat-cut-mat-board--RA-4-colour-hand-print-on-fujicolour-crystal-archive--388-x-483mm-copy.jpg" /&#62;
&#60;img width="554" height="640" width_o="554" height_o="640" data-src="https://freight.cargo.site/t/original/i/de9dc919ead2efecbb3168dd0f2095cc43a814c8568aaeebca3850558eb894ef/Beautiful-fragrant-eucalypts-2022--copy-Medium.jpeg" data-mid="251449276" border="0" alt="Janenne Eaton, Beautiful fragrant eucalypts, 2022, Enamel paint on canvas, 150 x 130 cm" data-caption="Janenne Eaton, Beautiful fragrant eucalypts, 2022, Enamel paint on canvas, 150 x 130 cm" src="https://freight.cargo.site/w/554/i/de9dc919ead2efecbb3168dd0f2095cc43a814c8568aaeebca3850558eb894ef/Beautiful-fragrant-eucalypts-2022--copy-Medium.jpeg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/a173a7513c52039295abd49e8acf6ccb5bf697c9f49f1e389bc1711b19515405/Tim-Wagg--Epilogue-I--2025--Latex-print-on-aluminium--60-x-40-cm-1.jpg" data-mid="251514170" border="0" alt="Tim Wagg, Epilogue I, 2025, Latex print on aluminium, 60 x 40 cm" data-caption="Tim Wagg, Epilogue I, 2025, Latex print on aluminium, 60 x 40 cm" src="https://freight.cargo.site/w/1000/i/a173a7513c52039295abd49e8acf6ccb5bf697c9f49f1e389bc1711b19515405/Tim-Wagg--Epilogue-I--2025--Latex-print-on-aluminium--60-x-40-cm-1.jpg" /&#62;
&#60;img width="2250" height="3000" width_o="2250" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6d774c40f28894561d3914b6da0be84f0ef65a49c0606cf63f781eed09a85279/Guy-Grabowsky_-Solaris-_01-copy.jpg" data-mid="251448499" border="0" alt="Guy Grabowsky, Solaris, 2026, Hand-printed analogue C-type photograph ,140 x 115 cm, E 1/5 + 2 AP" data-caption="Guy Grabowsky, Solaris, 2026, Hand-printed analogue C-type photograph ,140 x 115 cm, E 1/5 + 2 AP" src="https://freight.cargo.site/w/1000/i/6d774c40f28894561d3914b6da0be84f0ef65a49c0606cf63f781eed09a85279/Guy-Grabowsky_-Solaris-_01-copy.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/b51c3ee15534c86b3ba6ccb3a1d669d977011f93293f2c96ee23ce45e145181a/Amalia-Lindo-1--Terraform--2025--UV-polymer-resin--acrylic-paint--framed-in-PETG-filament-and-aluminium--40-x-40-x-6-cm-copy.jpg" data-mid="251448479" border="0" alt="Amalia Lindo, Terraform (Sociedad Quimica y Minera de Chile:-23.5000,-68.2500), 2025, UV polymer resin, acrylic paint, framed in PETG filament and aluminium, 40 x 40 x 6 cm, E 2/5 + 2 AP" data-caption="Amalia Lindo, Terraform (Sociedad Quimica y Minera de Chile:-23.5000,-68.2500), 2025, UV polymer resin, acrylic paint, framed in PETG filament and aluminium, 40 x 40 x 6 cm, E 2/5 + 2 AP" src="https://freight.cargo.site/w/1000/i/b51c3ee15534c86b3ba6ccb3a1d669d977011f93293f2c96ee23ce45e145181a/Amalia-Lindo-1--Terraform--2025--UV-polymer-resin--acrylic-paint--framed-in-PETG-filament-and-aluminium--40-x-40-x-6-cm-copy.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/0bc8bbb8743fe83db02c31d1cd4b17f78ce52c9d1bb2ee258c82de3e6ce28c6e/JS_MAF-05-copy.jpg" data-mid="251448501" border="0" alt="Jacqueline Stojanović, Field Drawing IV, 2025,  Pomegranates, peppermint gum, cotton, and wool on steel mesh, 90 x 60 x 5 cm" data-caption="Jacqueline Stojanović, Field Drawing IV, 2025,  Pomegranates, peppermint gum, cotton, and wool on steel mesh, 90 x 60 x 5 cm" src="https://freight.cargo.site/w/1000/i/0bc8bbb8743fe83db02c31d1cd4b17f78ce52c9d1bb2ee258c82de3e6ce28c6e/JS_MAF-05-copy.jpg" /&#62;
&#60;img width="6106" height="8026" width_o="6106" height_o="8026" data-src="https://freight.cargo.site/t/original/i/2398442f630b4a561eb115f92f2adc22ffa43d31494faddab522ed3c8fb61089/Archipelago-2024--copy.jpeg" data-mid="251448488" border="0" alt="Janenne Eaton, Archipelago, 2024, Enamel paint, vinyl on canvas, 184 x 132 cm" data-caption="Janenne Eaton, Archipelago, 2024, Enamel paint, vinyl on canvas, 184 x 132 cm" src="https://freight.cargo.site/w/1000/i/2398442f630b4a561eb115f92f2adc22ffa43d31494faddab522ed3c8fb61089/Archipelago-2024--copy.jpeg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/70c9d8a80b37a4eb06cd5046cdf2a792ad7c5c8b7b9a6c5f589a230c8e69fb44/NS_ACCA-1.jpg" data-mid="251448554" border="0" alt="Nicholas Smith, idol, 2024, Burnished terracotta, beeswax; foam (salvaged caravan cushions), floristry ribbons (inherited from artist&#38;rsquo;s grandmother); pine, cardboard, 195 x 80 x 55 cm approx." data-caption="Nicholas Smith, idol, 2024, Burnished terracotta, beeswax; foam (salvaged caravan cushions), floristry ribbons (inherited from artist’s grandmother); pine, cardboard, 195 x 80 x 55 cm approx." src="https://freight.cargo.site/w/1000/i/70c9d8a80b37a4eb06cd5046cdf2a792ad7c5c8b7b9a6c5f589a230c8e69fb44/NS_ACCA-1.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/b3f7b1a4c7cd0e15a5e28b0957ffc9dd286380855a1eb5fdd42869599d1a1007/NS_ACCA-6.jpg" data-mid="251448553" border="0" alt="Nicholas Smith, idol, detail" data-caption="Nicholas Smith, idol, detail" src="https://freight.cargo.site/w/1000/i/b3f7b1a4c7cd0e15a5e28b0957ffc9dd286380855a1eb5fdd42869599d1a1007/NS_ACCA-6.jpg" /&#62;


&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/558b7d29f8166a3c0a59df545257cfdd88b26b3d9e117ceb4e0549543192fc05/without-pause-Artworks-9-copy.jpg" data-mid="251448514" border="0" alt="Jordan Mitchell-Fletcher, Untitled (support system), 2025, Copper oxide, glazed Stoneware, graphite powder, 32 x 32 x 4 cm" data-caption="Jordan Mitchell-Fletcher, Untitled (support system), 2025, Copper oxide, glazed Stoneware, graphite powder, 32 x 32 x 4 cm" src="https://freight.cargo.site/w/1000/i/558b7d29f8166a3c0a59df545257cfdd88b26b3d9e117ceb4e0549543192fc05/without-pause-Artworks-9-copy.jpg" /&#62;
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</description>
		
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	<item>
		<title>Partial</title>
				
		<link>https://haydens.gallery/Partial</link>

		<pubDate>Thu, 04 Jun 2026 05:06:22 +0000</pubDate>

		<dc:creator>Haydens</dc:creator>

		<guid isPermaLink="true">https://haydens.gallery/Partial</guid>

		<description>
	Partial
Joseph Doggett-Williams, Lucina Lane, Madeleine Minack, Tim Woodward



Curated by Lilly Skipper



12.06.2026 - 04.07
.2026FL 1, 130 Bridge RoadRichmond 3121


	
Partial explores the concept of ‘partial viewing, a way of seeing that unfolds through textures that operate sequentially: first a distant gestalt, then a partial close-up, never both at once, encouraging the eye to move slowly, linger and trace. One cannot comprehend a whole surface simultaneously – only exclusively, in fragments as the gaze roams. Segments of reality exclude others, drawing attention to what remains obscured, without closure. In turn, the exhibition insists that every act of looking is incomplete, mediated, and shaped by the structures through which art – and perception itself – is framed.
Through tactile material practices, artists foreground modes of framing as (con)structural devices for encounter, underscoring how material translations mediate distinct perceptual enquiries. Functioning as ‘nested facets’, artworks offer layered examples of partial viewing, each shaped by a nuanced understanding of carefully handled materials that invite sustained, embodied attention. Different approaches to encasing materials speak to the (im)possibility of totality, positioning encounters as both revelation and omission.
Artists construct conditions. Something is happening or has already happened. The gallery becomes a field of residue, site of aftermath; artworks exist as traces of prior activity, producing the logic of having happened. Different systems of recognition read as both operations and narratives; you see how things relate, but their beginnings remain obscured. Viewers are invited to test relationships between objects, try to infer rules or meaning, and adjust their position in space to understand shifting correspondences. Materials behave like arrangements of evidence; what one sees is only a section of a larger conceptual or material structure that extends beyond the frame, exceeding singular viewpoints - Lane’s branches, Woodward’s desk components, Minack’s wires, Doggett-William’s flattened implosions. 
Partial viewing is embedded in how a work is built: the whole is not located in one place. Petals are removed, logs reconfigured, desks dismantled, and small plastic knobs - found and fabricated - act as uncontained points of attention and assembly. There is no entry point; rather, viewers arrive at a pre-existing set of relations. We are late participants, observers. One enters at the work's completion, but enters mid-system. You never see the whole event, just as you can never occupy the “correct” position long enough to grasp an artwork completely. It depends on instability.

– Lilly Skipper










Joseph Doggett-Williams’ work is multifaceted in both medium and subject matter. His recent focus on sculptural assemblage incorporates discarded and found materials – restoring vitality to objects that might otherwise be seen as abject. In contemporary conditions of precarity, excess production, and collapse, he is interested in how overlooked detritus can be re-used to create new forms that are desirable.
Lucina Lane deftly combines painterly poetics and materiality with resourcefulness and improvisation, salvaging and repurposing found materials and histories – whether art historical, social, contextual or linguistic – into conceptually charged works which resonate beyond their time and place.


Lucina Lane (b.1991) lives and works in Melbourne; her works have been exhibited widely throughout Australia and internationally, with key presentations at The Australian Centre for Contemporary Art, Melbourne; Museum of Contemporary Art, Sydney; ANCA, Canberra; Hot Wheels Athens London, Athens; Robert Heald Gallery, Wellington; and Sarah Cottier Gallery, Sydney.




As an interdisciplinary artist who works primarily in installation and sculpture, Madeleine Minack’s practice derives from a process of accumulation. Minack collects discarded found objects to produce small, intimate sculptures which reflect minute details of normally unnoticed everyday matter. Through the process of collection, the artist creates something that, from adistance, appears insignificant. However, upon close examination, the sculptures become a detailed and complex body of work. Made from forgotten things and re-presented with wax as a binder, the small sculptures – often no larger than a thumbnail – form a home for what would normally be lost. Exploring journeys and passages, Minack’s work speaks to the everyday mundane and repetitive, forming a nest for discarded objects which would otherwise deteriorate into nothing.

Tim Woodward works across the mediums of sculpture, installation, and writing. His exhibitions and projects are known for generating narrative possibilities through the staging of specific material encounters. These encounters typically employ found or repurposed objects, exposing the infrastructural entanglements of people, property, and technologies. 
Woodward has been the recipient of numerous awards including an Australian Postgraduate Award, the NAVA Sainsbury Sculpture Award, an Asialink Visual Art residency, the NAVA Australian Artists' Grant, Art Gallery of New South Wales Moya Davey Cité des Arts Studio Residency, the Art &#38;amp; Australia Credit Suisse Contemporary Art Award, Copyright Agency Cultural Fund, Ian Potter Cultural Trust Grant, the Queensland Art Gallery Melville Haysom Memorial Art Scholarship and the Janet Holmes à Court Artists Grant.


Tim Woodward is represented by Darren Knight Gallery, Sydney, and Animal House Fine Arts, Melbourne.




Lilly Skipper is a Melbourne/Naarm-based artist, curator, arts worker, and BFA Honours Graduate at Monash University (2023). Skipper’s artistic and curatorial approach contemplates temporal registers in art practice, including repetition, regression, idleness, counter-productivity, and dissonance in outcome. As an artist, her practice traces the impulses of high performance in Art, exploring the duality of labour and leisure in an object-oriented field. She considers what it is to cultivate a practice of vulnerable disinterest in resolution, represented as immediate interventions that unfold in response to site-specific inquiry.
Select curatorial projects include a Group Exhibition, 1/53 Bourke Street, Melbourne, 2026; Recess, cafe Gallery, Abbotsford, 2026; Flash Appearances of an Assortment, HAIR, Melbourne, 2025; Vice-Versa, Oddany Gallery, Collingwood, 2024; Papery, MOM Gallery, Thornbury, 2024; Voids, Five Walls Gallery, Footscray, 2024; Misdemeanours, George Paton Gallery, Melbourne, 2023; Leapt Conclusions, Dudley House Bendigo, 2022, and Vibes, Assembly Point, Creative Spaces Melbourne, 2021.




	
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/08a58f92d364ad0fd13b636f67a13f2b885e04de933002e054c6784c9b830b49/Partial-Install.jpg" data-mid="249811146" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/08a58f92d364ad0fd13b636f67a13f2b885e04de933002e054c6784c9b830b49/Partial-Install.jpg" /&#62;
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&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/132a9a8ea60574a4709668671145c0e54f60d2a57523724c4af704f87e77ee0b/Partial-Artworks-9.jpg" data-mid="249811094" border="0" alt="Madeline Minack, love heart, 2026, Plasticine, rock, metal and plastic, 8 x 5 cm" data-caption="Madeline Minack, love heart, 2026, Plasticine, rock, metal and plastic, 8 x 5 cm" src="https://freight.cargo.site/w/1000/i/132a9a8ea60574a4709668671145c0e54f60d2a57523724c4af704f87e77ee0b/Partial-Artworks-9.jpg" /&#62;
&#60;img width="1500" height="2388" width_o="1500" height_o="2388" data-src="https://freight.cargo.site/t/original/i/028a6e6c28f19dab73129b5b787b14aa49bb3e888585add46f7672a2d112ae04/Partial-Artworks-16.jpg" data-mid="249811102" border="0" alt="Joseph Doggett-Williams, Burgeon 1, 2026, Coloured polyurethane resin, 14.5 x 16.5 x 5 cm" data-caption="Joseph Doggett-Williams, Burgeon 1, 2026, Coloured polyurethane resin, 14.5 x 16.5 x 5 cm" src="https://freight.cargo.site/w/1000/i/028a6e6c28f19dab73129b5b787b14aa49bb3e888585add46f7672a2d112ae04/Partial-Artworks-16.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/cab29124a3878935b05d754e7f86e7c1577ddfe84e53309a907f12ea8c6ce4b4/Partial-Install-13.jpg" data-mid="249811155" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/cab29124a3878935b05d754e7f86e7c1577ddfe84e53309a907f12ea8c6ce4b4/Partial-Install-13.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/3d5878653bc87bc725d315b479206b91b15155663b8326919a266edabdf1e8e3/Partial-Artworks-13.jpg" data-mid="249811099" border="0" alt="Joseph Doggett-Williams, Flower Press 1, 2026, Faux flowers and petals, glass, hardware, foam board, spray paint, felt, wood, 51.5 x 41 x 7.5 cm" data-caption="Joseph Doggett-Williams, Flower Press 1, 2026, Faux flowers and petals, glass, hardware, foam board, spray paint, felt, wood, 51.5 x 41 x 7.5 cm" src="https://freight.cargo.site/w/1000/i/3d5878653bc87bc725d315b479206b91b15155663b8326919a266edabdf1e8e3/Partial-Artworks-13.jpg" /&#62;
&#60;img width="1500" height="2147" width_o="1500" height_o="2147" data-src="https://freight.cargo.site/t/original/i/fa01f1776550928b5dc707c83e0f983a7780d12822bc34b142d68052aa60bce0/Partial-Install2-2.jpg" data-mid="249811156" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/fa01f1776550928b5dc707c83e0f983a7780d12822bc34b142d68052aa60bce0/Partial-Install2-2.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/917bc5239139dc92a8b01ba06401d01fd444ed8c2fe6d69c1d5110f930bfca33/Partial-Install2.jpg" data-mid="249811157" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/917bc5239139dc92a8b01ba06401d01fd444ed8c2fe6d69c1d5110f930bfca33/Partial-Install2.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>without pause</title>
				
		<link>https://haydens.gallery/without-pause</link>

		<pubDate>Tue, 28 Oct 2025 06:52:46 +0000</pubDate>

		<dc:creator>Haydens</dc:creator>

		<guid isPermaLink="true">https://haydens.gallery/without-pause</guid>

		<description>
	without pause
Jordan Mitchell-Fletcher
05.06.2026 - 04.07.2026


	without pause marks a focused moment within an ongoing practice sustained by the quiet cadence of the studio.

Drawn to how systems develop through routine and how repetition produces structure: a repeated route, an incidental surface, the way a building or a body is registered in passing. Here, a life with its own rhythms— in a city, between work, studio and social — runs quietly through the practice as material rather than subject.

Collage is the organising principle, but operates as structural rather than a compositional method. Works begin with provisional gestures: a practical solution, a material decision, that is absorbed, repeated until deliberate and extends into a system of its own. Wood enters this body of work as a frame and also as a subject. Ceramic forms function as containment devices, establishing an internal order that precedes and shapes what is placed within them. Their surfaces become a site of sustained material inquiry, treated with metallic and volatile compounds that reference the industrial. Cracks are mended and absorbed into the surface rather than concealed as the work records its own making.

Structures repeat, stack, and fold back into themselves; repetition becomes rhythm and small habitual actions accumulate into form as the work attends to the physical conditions of looking.

Jordan Mitchell-Fletcher works across drawing, installation, and ceramic, grounding her practice in a ritualistic studio process and the layered material traces it produces. Observation is central to her approach, utilising compositions found in the formal structure of the grid as experienced in her everyday. Through repetitive gestures,&#38;nbsp; she explores the imperfection of the hand and the tension between pattern and abstraction. Moving between control and surrender, she navigates the discipline of graphite on paper alongside the unpredictable alchemy of ceramic firing. Where drawing offers a sense of precision and restraint, the kiln becomes a collaborator, and heat, glaze and chance conspire to transform intention. A thread of labour and duration runs across both processes—and quiet persistence marked by attention, the slow build-up of material and time reveal a deeply contemplative practice.Jordan Mitchell-Fletcher completed a Bachelor of Fine Arts with Honours at Monash University in 2015. Her recent exhibitions include: Concentric Influences of Sol LeWitt: Foundations, Pivots and Place, RMIT Gallery, 2026; Chimera, Haydens, 2026; Chaos Becomes Rhythm, FUTURES, 2025; In Favour of the Floor, ReadingRoom, 2024; Three Hares, curated by Adam John-Cullen, Shepparton Art Museum, 2023; and Post-STRUCTURE, curated by Kyle Jenkins, University of Southern Queensland, 2023.
	
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/b0067c21c95154442d9f65c1531b24f4ca0a621f176f8d31e6cb18c12e19c068/without-pause-Install-2.jpg" data-mid="249353369" border="0" alt="Installation View" data-caption="Installation View" src="https://freight.cargo.site/w/1000/i/b0067c21c95154442d9f65c1531b24f4ca0a621f176f8d31e6cb18c12e19c068/without-pause-Install-2.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/ed004cb4dfd15ebf97a350d5768aae3c00f09be77e5060f46604d34d5d8772a8/without-pause-Artworks.jpg" data-mid="249353366" border="0" alt="Untitled (unreliable mirror), 2025, Glazed Earthenware, 17.5 x 17.5 x 4 cm" data-caption="Untitled (unreliable mirror), 2025, Glazed Earthenware, 17.5 x 17.5 x 4 cm" src="https://freight.cargo.site/w/1000/i/ed004cb4dfd15ebf97a350d5768aae3c00f09be77e5060f46604d34d5d8772a8/without-pause-Artworks.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/21ed568eaf27955ced91faec2718dbc0faf3177d5ae7484b7206340de3c18f2f/without-pause-Artworks-2.jpg" data-mid="249353351" border="0" alt="Untitled (diptych), 2025, Copper oxide, glazed Stoneware, 17.5 x 34.5 x 4 cm" data-caption="Untitled (diptych), 2025, Copper oxide, glazed Stoneware, 17.5 x 34.5 x 4 cm" src="https://freight.cargo.site/w/1000/i/21ed568eaf27955ced91faec2718dbc0faf3177d5ae7484b7206340de3c18f2f/without-pause-Artworks-2.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/2b0c2726fcd5953047ed0c53748a88c09232dac866d0eef3a85907388d4c7046/without-pause-Install-3.jpg" data-mid="249353370" border="0" alt="Installation View" data-caption="Installation View" src="https://freight.cargo.site/w/1000/i/2b0c2726fcd5953047ed0c53748a88c09232dac866d0eef3a85907388d4c7046/without-pause-Install-3.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/b57c78e837aa86425d91a0e1bdfa75d47462d46bd2e3b5a219ac940e73ee26c5/without-pause-Artworks-3.jpg" data-mid="249353352" border="0" alt="Untitled, 2025, Linen, copper oxide, glazed Stoneware, graphite powder, 33 x 32.5 x 4 cm" data-caption="Untitled, 2025, Linen, copper oxide, glazed Stoneware, graphite powder, 33 x 32.5 x 4 cm" src="https://freight.cargo.site/w/1000/i/b57c78e837aa86425d91a0e1bdfa75d47462d46bd2e3b5a219ac940e73ee26c5/without-pause-Artworks-3.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5561484837e1e5648b6a15d358ea5a2dd3d0b933c072bf574d96a02492794d9c/without-pause-Artworks-4.jpg" data-mid="249353353" border="0" alt="Untitled (unknown gesture), 2026, Glazed Earthware, graphite powder, 25.5 x 25.5. x 4 cm" data-caption="Untitled (unknown gesture), 2026, Glazed Earthware, graphite powder, 25.5 x 25.5. x 4 cm" src="https://freight.cargo.site/w/1000/i/5561484837e1e5648b6a15d358ea5a2dd3d0b933c072bf574d96a02492794d9c/without-pause-Artworks-4.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/94a6bba567095f46e455eb98147fe8bfa1179e438110fba91db038f14aca0d09/without-pause-Artworks-5.jpg" data-mid="249353354" border="0" alt="Untitled (support system), 2025, Copper oxide, glazed Stoneware, graphite powder, 32 x 32 x 4 cm" data-caption="Untitled (support system), 2025, Copper oxide, glazed Stoneware, graphite powder, 32 x 32 x 4 cm" src="https://freight.cargo.site/w/1000/i/94a6bba567095f46e455eb98147fe8bfa1179e438110fba91db038f14aca0d09/without-pause-Artworks-5.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/809a94d28f7bc98cbad2f1236f43b57309ca80c39dab24f05c603c2ad98290a3/without-pause-Artworks-6.jpg" data-mid="249353355" border="0" alt="Untitled (frame study), 2025, Copper oxide, glazed Stoneware, 16.5 x 16.5 x 4 cm" data-caption="Untitled (frame study), 2025, Copper oxide, glazed Stoneware, 16.5 x 16.5 x 4 cm" src="https://freight.cargo.site/w/1000/i/809a94d28f7bc98cbad2f1236f43b57309ca80c39dab24f05c603c2ad98290a3/without-pause-Artworks-6.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/df6ed9fb8ed9fe3b4158b7ec5d40a6ecd0de8aef84915624e70f8f044f546273/without-pause-Artworks-7.jpg" data-mid="249353356" border="0" alt="Untitled, 2025, Copper oxide, glazed Stoneware, 17 x 17 x 4 cm" data-caption="Untitled, 2025, Copper oxide, glazed Stoneware, 17 x 17 x 4 cm" src="https://freight.cargo.site/w/1000/i/df6ed9fb8ed9fe3b4158b7ec5d40a6ecd0de8aef84915624e70f8f044f546273/without-pause-Artworks-7.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c17f124822e75d84a33406e12bcc367c9fbb7cfda754d37e71e1792e39756639/without-pause-Artworks-8.jpg" data-mid="249353357" border="0" alt="Untitled, 2026, Linen, copper tacks, copper oxide, glazed Stoneware, 21.5 x 21.5 x 4 cm" data-caption="Untitled, 2026, Linen, copper tacks, copper oxide, glazed Stoneware, 21.5 x 21.5 x 4 cm" src="https://freight.cargo.site/w/1000/i/c17f124822e75d84a33406e12bcc367c9fbb7cfda754d37e71e1792e39756639/without-pause-Artworks-8.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/6cb4887ef95379a632d52576fda2a7482a03b5bc683324479ec0b6dceb7d8593/without-pause-Artworks-9.jpg" data-mid="249353358" border="0" alt="Untitled, 2026, Glazed Earthenware, Victorian Ash, 25 x 25 x 4 cm" data-caption="Untitled, 2026, Glazed Earthenware, Victorian Ash, 25 x 25 x 4 cm" src="https://freight.cargo.site/w/1000/i/6cb4887ef95379a632d52576fda2a7482a03b5bc683324479ec0b6dceb7d8593/without-pause-Artworks-9.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/275476551fbb3f323590d2179fbd09cd2bde796b1c07d104f59f8a278ade2c04/without-pause-Artworks-10.jpg" data-mid="249353359" border="0" alt="Untitled (mirror diptych), 2025, Copper oxide, glazed Earthenware and Stoneware, 17 x 34 x 4 cm" data-caption="Untitled (mirror diptych), 2025, Copper oxide, glazed Earthenware and Stoneware, 17 x 34 x 4 cm" src="https://freight.cargo.site/w/1000/i/275476551fbb3f323590d2179fbd09cd2bde796b1c07d104f59f8a278ade2c04/without-pause-Artworks-10.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/242efca9004d85b2d37ef30a93aff9bf667ad4181e214d5f1b80b5c1ef0d7aa1/without-pause-Artworks-11.jpg" data-mid="249353360" border="0" alt="Untitled (exteriors), 2025, Glazed Earthenware, copper tacks, patina, 25.5. x 25.5 x 4 cm" data-caption="Untitled (exteriors), 2025, Glazed Earthenware, copper tacks, patina, 25.5. x 25.5 x 4 cm" src="https://freight.cargo.site/w/1000/i/242efca9004d85b2d37ef30a93aff9bf667ad4181e214d5f1b80b5c1ef0d7aa1/without-pause-Artworks-11.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5b03bbbd382d93c52d1e8032e5ecfa05a8d4ac72bca1088b08a43f37f809fdbb/without-pause-Install-5.jpg" data-mid="249353372" border="0"  src="https://freight.cargo.site/w/1000/i/5b03bbbd382d93c52d1e8032e5ecfa05a8d4ac72bca1088b08a43f37f809fdbb/without-pause-Install-5.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/b7ced1d83ff51ecb86a71fc7173a6616f016ef4c826cf99525ac0f0e858dcb69/without-pause-Install-8.jpg" data-mid="249353373" border="0" alt="Installation View" data-caption="Installation View" src="https://freight.cargo.site/w/1000/i/b7ced1d83ff51ecb86a71fc7173a6616f016ef4c826cf99525ac0f0e858dcb69/without-pause-Install-8.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/20e7e78ee108d8d0dfaf15cef0a7d33237ce0963bd0b0e56025a6e58177c50ac/without-pause-Artworks-12.jpg" data-mid="249353361" border="0" alt="Untitled (quiet persistence), 2026, Copper oxide, glazed stoneware, adhesive, graphite powder, 33 x 66 x 4 cm" data-caption="Untitled (quiet persistence), 2026, Copper oxide, glazed stoneware, adhesive, graphite powder, 33 x 66 x 4 cm" src="https://freight.cargo.site/w/1000/i/20e7e78ee108d8d0dfaf15cef0a7d33237ce0963bd0b0e56025a6e58177c50ac/without-pause-Artworks-12.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/bed7a22e732a2fe423ba100fc8f92018d96711962a73735f43dfdd51347767d5/without-pause-Artworks-13.jpg" data-mid="249353362" border="0" alt="Untitled, 2025, Copper oxide, glazed Earthenware and Stoneware, 32.5 x 17 x 4 cm" data-caption="Untitled, 2025, Copper oxide, glazed Earthenware and Stoneware, 32.5 x 17 x 4 cm" src="https://freight.cargo.site/w/1000/i/bed7a22e732a2fe423ba100fc8f92018d96711962a73735f43dfdd51347767d5/without-pause-Artworks-13.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/180143f193d2be0ba66aad51d3fb7959521548ee3f724bf79fbc9459089ee0a8/without-pause-Artworks-14.jpg" data-mid="249353363" border="0" alt="Untitled, 2026, Copper oxide, glazed stoneware, adhesive, graphite powder, Glacial oak, 34 x 34 x 4 cm" data-caption="Untitled, 2026, Copper oxide, glazed stoneware, adhesive, graphite powder, Glacial oak, 34 x 34 x 4 cm" src="https://freight.cargo.site/w/1000/i/180143f193d2be0ba66aad51d3fb7959521548ee3f724bf79fbc9459089ee0a8/without-pause-Artworks-14.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/dc9cc8249c72afadf813821514a036cca0fec3b7cecdf2588f2de074b318127e/without-pause-Install-13.jpg" data-mid="249353374" border="0" alt="Installation View" data-caption="Installation View" src="https://freight.cargo.site/w/1000/i/dc9cc8249c72afadf813821514a036cca0fec3b7cecdf2588f2de074b318127e/without-pause-Install-13.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/7b8de04401ae8a2a3e42de0e2a4eca2d08372b003d90408f093b40e719e6e903/without-pause-Artworks-15.jpg" data-mid="249353364" border="0" alt="Untitled (as subject), 2026, Glazed Earthenware, Walnut, 18 x 34 x 4 cm" data-caption="Untitled (as subject), 2026, Glazed Earthenware, Walnut, 18 x 34 x 4 cm" src="https://freight.cargo.site/w/1000/i/7b8de04401ae8a2a3e42de0e2a4eca2d08372b003d90408f093b40e719e6e903/without-pause-Artworks-15.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/72481daf10345be80b46ce5828e038efa83bf4bbf31dac2b77cf2ff9cbc8963e/without-pause-Artworks-16.jpg" data-mid="249353365" border="0" alt="Untitled, 2026, Linen, copper oxide, glazed Stoneware, Walnut, 34 x 34 x 4 cm" data-caption="Untitled, 2026, Linen, copper oxide, glazed Stoneware, Walnut, 34 x 34 x 4 cm" src="https://freight.cargo.site/w/1000/i/72481daf10345be80b46ce5828e038efa83bf4bbf31dac2b77cf2ff9cbc8963e/without-pause-Artworks-16.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>both/and</title>
				
		<link>https://haydens.gallery/both-and</link>

		<pubDate>Mon, 18 Nov 2024 23:18:14 +0000</pubDate>

		<dc:creator>Haydens</dc:creator>

		<guid isPermaLink="true">https://haydens.gallery/both-and</guid>

		<description>
	both/andAmalia Lindo
01.05.2026 - 30.05.2026

1/10-12 Moreland Road
Brunswick East, 3057
	Haydens is pleased to present both/and, Amalia Lindo's first solo exhibition with the gallery.

At its centre is the question of complicity: how to remain critical of systems one is dependent upon, and what it means to make art within that condition. Lindo's earlier practice examined the invisible human labour that sustains digital systems: the dispersed, anonymous workers whose efforts underpin the apparent autonomy of artificial intelligence. both/and extends that inquiry to the environmental conditions underlying those same technologies, drawing on primary research conducted across ten months living and working in the Atacama Desert, Chile.

Chile holds the world's largest lithium reserves, concentrated beneath the salt flats and brine fields of the Atacama, the driest desert on the planet. Lithium is the material that makes rechargeable batteries possible, powering everything from smartphones and laptops to electric vehicles, which are increasingly promoted as a solution to fossil fuel dependency. For the Lickanantay communities who have inhabited this landscape for generations, water, wind, minerals, plants, and humans form a single system of interdependence. This understanding of the land stands in direct tension with its accelerating transformation into an industrial resource.

The Atacama is one site within a global network of extraction. The exhibition also encompasses the lithium and copper deposits of Western and South Australia and the cobalt mines of the Democratic Republic of Congo, where the social and environmental costs of technological production are concentrated in communities far removed from the consumers they supply.

Across sculpture, drawing, video and photography, the grid functions as a shared language within the exhibition: of resource management, geological survey, and the organisation of data into navigable computational space. At the centre of the room, a large gridded perspex installation extends this logic into physical space, functioning as an expanded drawing. In the Terraform wall sculptures, mine site topographies derived from geological survey data are CNC-milled from extruded polystyrene or resin-printed, rendered as tiled, modular forms and encased in translucent 3D-printed frames that recall the exposed casings of early consumer electronics. The Tierra Plana drawings carry their own geometric order. Mineral pigments collected and prepared by hand in the desert, several with a long history in manuscripts and maps, are rubbed into the surface and overlaid with pen-plotted lines derived from geological models. The larger Tierra Plana drawings overlay these mineral markings onto hand-drawn blueprints of Northern Rhodesian copper mines from the 1950s, placing mid-century cartographic draughtsmanship in contact with the three-dimensional outputs of contemporary geological modelling software. What shifts between them is technique; what persists is the reduction of landscape to resource.

In her single-channel film La Oscuridad (2025), the grid structure enters the editing itself through the film's split screens and minimap navigation, borrowed from the visual language of game design to abstract drone footage of Atacama lithium operations into navigable, extractable space. Carlos Vega's narration holds a Lickanantay understanding of that same landscape in which such divisions do not exist. Two photographic works, El Tatio&#38;nbsp;









(-22.3349, -68.0130)&#38;nbsp;and Supernova 1987A (1.6 quintillion kilometres) draw this arc further. The first documents geothermal activity in the Atacama; the second is a telescopic photograph of a supernova remnant, tracing the origins of the same minerals found below ground to stellar events billions of years prior.

both/and does not offer resolution. From stellar formation to extraction site, it holds in view the full arc of these materials, asking the viewer to consider their own place within the systems that continue to erode these landscapes.

Amalia would like to extend her sincere thanks to Carlos Vega and Sandra Flores González for their generosity in sharing the stories that helped shape this project. She would also like to thank the La Wayaka Current team—Sey, Paloma, Gabriel, Maca, Victor, and Sofie. A very special thank you to Eduardo Seymour for his assistance with the drone footage and for being her translator, guide, housemate, and trusted friend in San Pedro de Atacama. She would also like to thank Dr. Dean Schrieke for his ongoing contributions to her work and Rohan Schwartz for the many conversations that shaped her thinking. &#38;nbsp;

La Oscuridad was made possible by the generous support of the Ellen José Memorial Foundation and Bayside Gallery.&#38;nbsp;both/and: Audio-visual performanceAmalia LindoDean Schrieke
Saturday 30th of May6 - 9 pmPurchase Tickets Here

Amalia Lindo and Dean Schrieke present a live audio-visual performance to mark the closing of both/and, extending the themes of the exhibition. Lindo works live with the materials of the exhibition—footage and images drawn from her research, assembled and projected onto the gallery wall. Schrieke performs alongside on an analogue instrument designed to resist the logic of automation: one that responds to the body's conductivity, to pressure and moisture, and whose own origins are not without contradiction. Audio sourced directly from Lindo's video works shapes the sound as it unfolds, drawing the two practices into a single live work. The performance will be followed by a closing celebration, with a set by DJ Waste MGMT.

Lindo is a multidisciplinary artist whose work examines the hidden supply chains of data, labour, and natural resources that sustain contemporary technology. Schrieke is a postdoctoral researcher at the University of Melbourne and a practising sound and conceptual artist. Together they have presented collaborative works at the NGV, RMIT Gallery, and the Centre for Contemporary Photography, among others.

Doors open at 6pm, performance starts at 6:30pm sharp.

	

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&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/490c8e4548e74b2bbacbd16ed374a35f4d72dd94d9af505340b75e6acc3c45a5/Tierra-Plana-Vallecito-II--2026--Anterlite--calcite--carnalite--chrysocolla-and-pen-on-handmade-paper--framed--42-x-33.5-x-4-cm.jpg" data-mid="248066935" border="0" alt="Tierra Plana (Vallecito II), 2026, Anterlite, calcite, carnalite, chrysocolla and pen on handmade paper, framed, 42 x 33.5 x 4 cm" data-caption="Tierra Plana (Vallecito II), 2026, Anterlite, calcite, carnalite, chrysocolla and pen on handmade paper, framed, 42 x 33.5 x 4 cm" src="https://freight.cargo.site/w/1000/i/490c8e4548e74b2bbacbd16ed374a35f4d72dd94d9af505340b75e6acc3c45a5/Tierra-Plana-Vallecito-II--2026--Anterlite--calcite--carnalite--chrysocolla-and-pen-on-handmade-paper--framed--42-x-33.5-x-4-cm.jpg" /&#62;
&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0719c451fe9d66b26ea0eaa9455bd48cc8031b378808e588f4a91632a5517e6a/Tierra-Plana-Republic-of-Botswana--1977--2026--CNC-trace-monotype-with-ink-on-paper--framed--96-x-74-x-4-cm.jpg" data-mid="248066947" border="0" alt="Tierra Plana (Republic of Botswana, 1977), 2026, CNC trace monotype with ink on paper, framed, 96 x 74 x 4 cm" data-caption="Tierra Plana (Republic of Botswana, 1977), 2026, CNC trace monotype with ink on paper, framed, 96 x 74 x 4 cm" src="https://freight.cargo.site/w/1000/i/0719c451fe9d66b26ea0eaa9455bd48cc8031b378808e588f4a91632a5517e6a/Tierra-Plana-Republic-of-Botswana--1977--2026--CNC-trace-monotype-with-ink-on-paper--framed--96-x-74-x-4-cm.jpg" /&#62;
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&#60;img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7b22a47e9c2c5b34a1e4e036f564d4712debb3f97ef6faa5559059257f5ba1a5/Terraform-Greenbushes--2026--Acrylic-paint-on-extruded-polystyrene--framed-in-aluminium-and-cast-acrylic--51.5-x-51.5-x-6-cm--E-1_5---2-AP-copy.jpg" data-mid="248066950" border="0" alt="Terraform (Greenbushes), 2026, Acrylic paint on extruded polystyrene, framed in aluminium and cast acrylic, 51.5 x 51.5 x 6 cm, E 1/5" data-caption="Terraform (Greenbushes), 2026, Acrylic paint on extruded polystyrene, framed in aluminium and cast acrylic, 51.5 x 51.5 x 6 cm, E 1/5" src="https://freight.cargo.site/w/1000/i/7b22a47e9c2c5b34a1e4e036f564d4712debb3f97ef6faa5559059257f5ba1a5/Terraform-Greenbushes--2026--Acrylic-paint-on-extruded-polystyrene--framed-in-aluminium-and-cast-acrylic--51.5-x-51.5-x-6-cm--E-1_5---2-AP-copy.jpg" /&#62;
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&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d9de647f1d04b59101bceceef1b5df40fb3aedad5ad7539ace61ee65785d4b98/Tierra-Plana-La-Era-Dorada--Antlerite--charcoal--chrysocolla-and-clay-on-newspaper--framed--2025--56-x-50-cm.jpg" data-mid="248067004" border="0" alt="Tierra Plana (La Era Dorada), Antlerite, charcoal, chrysocolla and clay on newspaper, framed, 2025, 56 x 50 cm" data-caption="Tierra Plana (La Era Dorada), Antlerite, charcoal, chrysocolla and clay on newspaper, framed, 2025, 56 x 50 cm" src="https://freight.cargo.site/w/1000/i/d9de647f1d04b59101bceceef1b5df40fb3aedad5ad7539ace61ee65785d4b98/Tierra-Plana-La-Era-Dorada--Antlerite--charcoal--chrysocolla-and-clay-on-newspaper--framed--2025--56-x-50-cm.jpg" /&#62;
&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f451c3736723ab2edf500e69e81f0304201f61c84b7658be29dbb3a5cc134cdd/Topography-Grid-I--2026--Cast-acrylic-and-aluminium-T-track--420-x-180-cm2.jpg" data-mid="248066995" border="0" alt="Topography (Grid I), 2026, Cast acrylic and aluminium T-track, 420 x 180 cm" data-caption="Topography (Grid I), 2026, Cast acrylic and aluminium T-track, 420 x 180 cm" src="https://freight.cargo.site/w/1000/i/f451c3736723ab2edf500e69e81f0304201f61c84b7658be29dbb3a5cc134cdd/Topography-Grid-I--2026--Cast-acrylic-and-aluminium-T-track--420-x-180-cm2.jpg" /&#62;
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&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/15c8af3d7aea392fcb9c3ab4018640492497bf9387dfedd6bb21d3a141cf9946/La-Oscuridad--2025--Single-channel-HD-video--colour--sound--13-mins-45-secs--E-1_3---2-AP.jpg" data-mid="248067003" border="0" alt="La Oscuridad, 2025, Single-channel HD video, colour, sound, 13 mins 45 secs" data-caption="La Oscuridad, 2025, Single-channel HD video, colour, sound, 13 mins 45 secs" src="https://freight.cargo.site/w/1000/i/15c8af3d7aea392fcb9c3ab4018640492497bf9387dfedd6bb21d3a141cf9946/La-Oscuridad--2025--Single-channel-HD-video--colour--sound--13-mins-45-secs--E-1_3---2-AP.jpg" /&#62;
&#60;img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b9cc23c965dbd386284d7794058620b7cbd996652215d6745dd66e24574a2134/Terraform-Olympic-Dam--2025--Acrylic-paint--gelcoat--pigment--and-resin-on-extruded-polystyrene--framed-in--PETG-filament-and-copper--60-x-60-x-6-cm--E-1_5---2-AP.jpg" data-mid="248067005" border="0" alt="Terraform (Olympic Dam), 2025, Acrylic paint, gelcoat, pigment, and resin on extruded polystyrene, framed in, PETG filament and copper, 60 x 60 x 6 cm, E 1/5" data-caption="Terraform (Olympic Dam), 2025, Acrylic paint, gelcoat, pigment, and resin on extruded polystyrene, framed in, PETG filament and copper, 60 x 60 x 6 cm, E 1/5" src="https://freight.cargo.site/w/1000/i/b9cc23c965dbd386284d7794058620b7cbd996652215d6745dd66e24574a2134/Terraform-Olympic-Dam--2025--Acrylic-paint--gelcoat--pigment--and-resin-on-extruded-polystyrene--framed-in--PETG-filament-and-copper--60-x-60-x-6-cm--E-1_5---2-AP.jpg" /&#62;

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	</item>
		
		
	<item>
		<title>Chimera</title>
				
		<link>https://haydens.gallery/Chimera</link>

		<pubDate>Tue, 28 Oct 2025 06:49:44 +0000</pubDate>

		<dc:creator>Haydens</dc:creator>

		<guid isPermaLink="true">https://haydens.gallery/Chimera</guid>

		<description>
	CHIMERA
Justin Andrews, Stephen Bram, Tim Cierpiszewski, Isabella Darcy, Jordan Mitchell-Fletcher, Ricarda Hoop, Kyle Jenkins, Matthias Mayer, Lina Franko &#38;amp; Andi Slawinsk, Jacqueline Stojanović, Lydia Wierenga, Elmar Zimmermann

Curated by&#38;nbsp;Justin Andrews &#38;amp;&#38;nbsp;Tim Cierpiszewski
06.03.2026 - 28.03.2026
	CHIMERA is named after the hybrid creature in Greek mythology - a lion with a goat's head on its back and a serpent for a tail. This collaborative, cross-cultural exhibition project will present a diverse array of work from Australian and German artists to suggest that rather than being a strictly formal and canonical activity, the contemporary practice of abstraction is borne from a multifarious mixture of ideas, influences, methods and materials.
Justin Andrews appears courtesy Charles Nodrum Gallery

Stephen Bram appears courtesy Anna Schwartz Projects

Kyle Jenkins appears courtesy Block Projects, Melbourne

	
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d89be3117d29be3373760b5155ce88732e0fa1906c8a27efa2d3d8b9e014e39f/CHIMERA_Install-10.jpg" data-mid="246422215" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/d89be3117d29be3373760b5155ce88732e0fa1906c8a27efa2d3d8b9e014e39f/CHIMERA_Install-10.jpg" /&#62;
&#60;img width="2247" height="1500" width_o="2247" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9842a8747f572226c73926ef0c3826ba24ca002911ff885c879646fb81aacf6a/install-1.jpg" data-mid="246225224" border="0" alt="Installation View" data-caption="Installation View" src="https://freight.cargo.site/w/1000/i/9842a8747f572226c73926ef0c3826ba24ca002911ff885c879646fb81aacf6a/install-1.jpg" /&#62;
&#60;img width="1875" height="1500" width_o="1875" height_o="1500" data-src="https://freight.cargo.site/t/original/i/0ffc25d52e21a73a7476d8a53149b861e97b2715512bfa1015742f1f6ec76b8c/Ricarda-2.jpg" data-mid="246225255" border="0" alt="Ricarda Hoop, Terrain, 2023-2024, Pencil on paper, 116 x 88 cm" data-caption="Ricarda Hoop, Terrain, 2023-2024, Pencil on paper, 116 x 88 cm" src="https://freight.cargo.site/w/1000/i/0ffc25d52e21a73a7476d8a53149b861e97b2715512bfa1015742f1f6ec76b8c/Ricarda-2.jpg" /&#62;
&#60;img width="2247" height="1500" width_o="2247" height_o="1500" data-src="https://freight.cargo.site/t/original/i/0f870879fa20f19cfa14378a09f5b0ad85d3828733489b194331edf276b4288f/install-5.jpg" data-mid="246225228" border="0" alt="Installation View" data-caption="Installation View" src="https://freight.cargo.site/w/1000/i/0f870879fa20f19cfa14378a09f5b0ad85d3828733489b194331edf276b4288f/install-5.jpg" /&#62;
&#60;img width="1875" height="1500" width_o="1875" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5ef05e8280a8b39743c1110d564d784cd6a07667bfef707e9c496b87a0660729/Issabella-Darcy-1.jpg" data-mid="246225231" border="0" alt="Isabella Darcy, Window Shopping (diptych), 2026, Screenprint and synthetic polymer paint on canvas and canvas boards, 75 x 120 cm (two parts)" data-caption="Isabella Darcy, Window Shopping (diptych), 2026, Screenprint and synthetic polymer paint on canvas and canvas boards, 75 x 120 cm (two parts)" src="https://freight.cargo.site/w/1000/i/5ef05e8280a8b39743c1110d564d784cd6a07667bfef707e9c496b87a0660729/Issabella-Darcy-1.jpg" /&#62;
&#60;img width="1500" height="2247" width_o="1500" height_o="2247" data-src="https://freight.cargo.site/t/original/i/a8a3931ad36af0ff3ed73543004b6817a81d249bb8f7f658682ddec27008564c/Stephen-2.jpg" data-mid="246225257" border="0" alt="Stephen Bram, Untitled, (two point perspective), 2026, Acrylic on wall, 219 x 405 cm" data-caption="Stephen Bram, Untitled, (two point perspective), 2026, Acrylic on wall, 219 x 405 cm" src="https://freight.cargo.site/w/1000/i/a8a3931ad36af0ff3ed73543004b6817a81d249bb8f7f658682ddec27008564c/Stephen-2.jpg" /&#62;
&#60;img width="1875" height="1500" width_o="1875" height_o="1500" data-src="https://freight.cargo.site/t/original/i/871d99a19d934a059307944c4a3f81d56b39ce794602a2a62198471d7c809a6b/Stephen-1.jpg" data-mid="246225256" border="0" alt="Stephen Bram, Untitled (two point perspective), 2026, detail" data-caption="Stephen Bram, Untitled (two point perspective), 2026, detail" src="https://freight.cargo.site/w/1000/i/871d99a19d934a059307944c4a3f81d56b39ce794602a2a62198471d7c809a6b/Stephen-1.jpg" /&#62;
&#60;img width="2247" height="1500" width_o="2247" height_o="1500" data-src="https://freight.cargo.site/t/original/i/6ec3213e55a76420fa93d0e0c8d9f5d7ee0f50a3455f9e3f2f099419250baa44/install-2.jpg" data-mid="246225225" border="0" alt="Installation View" data-caption="Installation View" src="https://freight.cargo.site/w/1000/i/6ec3213e55a76420fa93d0e0c8d9f5d7ee0f50a3455f9e3f2f099419250baa44/install-2.jpg" /&#62;
&#60;img width="2247" height="1500" width_o="2247" height_o="1500" data-src="https://freight.cargo.site/t/original/i/46e8daec54021605732fd1e3e9de19c861ef5f567ce7f3ca6d8a4fa9d6b145c5/Jordan-Mitchell_Fletcher-2.jpg" data-mid="246225236" border="0"  src="https://freight.cargo.site/w/1000/i/46e8daec54021605732fd1e3e9de19c861ef5f567ce7f3ca6d8a4fa9d6b145c5/Jordan-Mitchell_Fletcher-2.jpg" /&#62;
&#60;img width="1875" height="1500" width_o="1875" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d2d067668804420ba2cec6513dac58c927d0c53b7e8ede4a70411227f7de4da1/Jordan-Mitchell_Fletcher-1A.jpg" data-mid="246225235" border="0" alt="Jordan Mitchell-Fletcher, Untitled (puzzle), 2025-2026, Copper oxide and glazed stoneware, 53 x 72.5 x 4 cm" data-caption="Jordan Mitchell-Fletcher, Untitled (puzzle), 2025-2026, Copper oxide and glazed stoneware, 53 x 72.5 x 4 cm" src="https://freight.cargo.site/w/1000/i/d2d067668804420ba2cec6513dac58c927d0c53b7e8ede4a70411227f7de4da1/Jordan-Mitchell_Fletcher-1A.jpg" /&#62;
&#60;img width="1500" height="1875" width_o="1500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/4499d04f636f31c4ac97517ad15958d3d52e7fef57c9a242b5cdacba150d4a8d/Kyle-1.jpg" data-mid="246225241" border="0" alt="Kyle Jenkins, PAINTING OBJECT (Shelves) #6, 2026, Enamel on aluminium, 360 x 100 x 4 cm (6 parts)" data-caption="Kyle Jenkins, PAINTING OBJECT (Shelves) #6, 2026, Enamel on aluminium, 360 x 100 x 4 cm (6 parts)" src="https://freight.cargo.site/w/1000/i/4499d04f636f31c4ac97517ad15958d3d52e7fef57c9a242b5cdacba150d4a8d/Kyle-1.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/503a2d7d205cb49752cef5460cc47ae967b0a7935404c121b8dce16e07d73ad3/CHIMERA_Install-6.jpg" data-mid="246422216" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/503a2d7d205cb49752cef5460cc47ae967b0a7935404c121b8dce16e07d73ad3/CHIMERA_Install-6.jpg" /&#62;
&#60;img width="2247" height="1500" width_o="2247" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9d4ea6a3a0c0d78f15b33f2ae92f55d3cd8390592a2b33540601780a924d09e9/install-3.jpg" data-mid="246225226" border="0" alt="Installation View" data-caption="Installation View" src="https://freight.cargo.site/w/1000/i/9d4ea6a3a0c0d78f15b33f2ae92f55d3cd8390592a2b33540601780a924d09e9/install-3.jpg" /&#62;
&#60;img width="2247" height="1500" width_o="2247" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3391212d51e70c8483e0a5ebac63fe97331feff55f4c638ed8e3187a4cef9669/Lina-Andi-1A.jpg" data-mid="246225244" border="0"  src="https://freight.cargo.site/w/1000/i/3391212d51e70c8483e0a5ebac63fe97331feff55f4c638ed8e3187a4cef9669/Lina-Andi-1A.jpg" /&#62;
&#60;img width="2247" height="1500" width_o="2247" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9269257c07e2ec15676feadfcb0617f1253d658c5e84fe0d7594942af5e670dd/Lina-Andi-2.jpg" data-mid="246225245" border="0" alt="Lina Franko &#38;amp; Andy Slawinsksi, 3RD-SPC./RP XIV (Spatial Sequence), 2026, Single channel video, colour, silent, loop (01:03), Dimensions variable" data-caption="Lina Franko &#38;amp; Andy Slawinsksi, 3RD-SPC./RP XIV (Spatial Sequence), 2026, Single channel video, colour, silent, loop (01:03), Dimensions variable" src="https://freight.cargo.site/w/1000/i/9269257c07e2ec15676feadfcb0617f1253d658c5e84fe0d7594942af5e670dd/Lina-Andi-2.jpg" /&#62;
&#60;img width="1875" height="1500" width_o="1875" height_o="1500" data-src="https://freight.cargo.site/t/original/i/e269153aa137455fe3f9ed7afd3d4b4cece0a6da508fa27ce73a45fa8b9d3d39/Matthias-2.jpg" data-mid="246225249" border="0" alt="Matthias Mayer, WOP-Series #01 - #06, 2025, Adhesive tapes on paper, 30 x 30 cm each" data-caption="Matthias Mayer, WOP-Series #01 - #06, 2025, Adhesive tapes on paper, 30 x 30 cm each" src="https://freight.cargo.site/w/1000/i/e269153aa137455fe3f9ed7afd3d4b4cece0a6da508fa27ce73a45fa8b9d3d39/Matthias-2.jpg" /&#62;
&#60;img width="1500" height="2247" width_o="1500" height_o="2247" data-src="https://freight.cargo.site/t/original/i/26630323ab754fcb52311ca4ecd51f4090a3a0ca915c95006147fb8327cc140b/install-6.jpg" data-mid="246225229" border="0" alt="Installation View" data-caption="Installation View" src="https://freight.cargo.site/w/1000/i/26630323ab754fcb52311ca4ecd51f4090a3a0ca915c95006147fb8327cc140b/install-6.jpg" /&#62;
&#60;img width="1500" height="1875" width_o="1500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/0959690a09247ae5b42e9549f4f7dcae5fe31a65192130b0e16278d746b8a9b1/Jacqueline-Stojanovic-1.jpg" data-mid="246225233" border="0" alt="Jacqueline Stojanovic, Field Drawing VIII, 2026, Pomegranates, safflower, eucalyptus, wattle bark, onion skins and wine, cotton, wool and silk on steel mesh, 90 x 60 x 5 cm" data-caption="Jacqueline Stojanovic, Field Drawing VIII, 2026, Pomegranates, safflower, eucalyptus, wattle bark, onion skins and wine, cotton, wool and silk on steel mesh, 90 x 60 x 5 cm" src="https://freight.cargo.site/w/1000/i/0959690a09247ae5b42e9549f4f7dcae5fe31a65192130b0e16278d746b8a9b1/Jacqueline-Stojanovic-1.jpg" /&#62;
&#60;img width="1500" height="2289" width_o="1500" height_o="2289" data-src="https://freight.cargo.site/t/original/i/007ec826df650acf246394597d6c8985160f4e85b0eb9b72f116bc9a3cdf61b1/Justin-1.jpg" data-mid="246225239" border="0" alt="Justin Andrews, Modular Composition (banner), 2026, Acrylic on canvas with denim and found fabrics, steel tube and braided steel cable, 267 x 115 cm" data-caption="Justin Andrews, Modular Composition (banner), 2026, Acrylic on canvas with denim and found fabrics, steel tube and braided steel cable, 267 x 115 cm" src="https://freight.cargo.site/w/1000/i/007ec826df650acf246394597d6c8985160f4e85b0eb9b72f116bc9a3cdf61b1/Justin-1.jpg" /&#62;
&#60;img width="1500" height="2313" width_o="1500" height_o="2313" data-src="https://freight.cargo.site/t/original/i/4533a8a938ca40a7224fe93eca63a1d6819988d36844f3b4f2f182766b321fa6/Justin-2.jpg" data-mid="246225240" border="0" alt="Justin Andrews, Modular Composition (banner) (reverse), 2026, Acrylic on canvas with denim and found fabrics, steel tube and braided steel cable, 267 x 115 cm" data-caption="Justin Andrews, Modular Composition (banner) (reverse), 2026, Acrylic on canvas with denim and found fabrics, steel tube and braided steel cable, 267 x 115 cm" src="https://freight.cargo.site/w/1000/i/4533a8a938ca40a7224fe93eca63a1d6819988d36844f3b4f2f182766b321fa6/Justin-2.jpg" /&#62;
&#60;img width="1875" height="1500" width_o="1875" height_o="1500" data-src="https://freight.cargo.site/t/original/i/55b8e9ae2f2d7d81e8d4cdb71c52a9e2e768c93423f26ddd7f26e5d90f7bbf51/Lydia-1.jpg" data-mid="246225246" border="0" alt="Lydia Wierenga, Untitled 1-4, 2020, Acrylic on linen, 18 x 13 cm each" data-caption="Lydia Wierenga, Untitled 1-4, 2020, Acrylic on linen, 18 x 13 cm each" src="https://freight.cargo.site/w/1000/i/55b8e9ae2f2d7d81e8d4cdb71c52a9e2e768c93423f26ddd7f26e5d90f7bbf51/Lydia-1.jpg" /&#62;
&#60;img width="1500" height="1875" width_o="1500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/fcc9450d5c8b1d88bb41a297f27e40a6fca27911e0eec87d2c95def701c5a55e/Elmar-Zimmermann-2.jpg" data-mid="246225222" border="0" alt="Elmar Zimmermann, Obsidian Fugue (note #4), 2025, Linseed oil on MDF relief, 28.8 x 27.5 x 4.5 cm" data-caption="Elmar Zimmermann, Obsidian Fugue (note #4), 2025, Linseed oil on MDF relief, 28.8 x 27.5 x 4.5 cm" src="https://freight.cargo.site/w/1000/i/fcc9450d5c8b1d88bb41a297f27e40a6fca27911e0eec87d2c95def701c5a55e/Elmar-Zimmermann-2.jpg" /&#62;
&#60;img width="2247" height="1500" width_o="2247" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f6e415d6cd2c0eefd1add57f783d46a874ebff723f464a2d24ffcffe52d63d82/Tim-1A.jpg" data-mid="246225258" border="0" alt="Tim Cierpiszewski, U.L.U.R.U, 2026, Digital inkjet print on canvas, steel strapping, 103 x 75 cm" data-caption="Tim Cierpiszewski, U.L.U.R.U, 2026, Digital inkjet print on canvas, steel strapping, 103 x 75 cm" src="https://freight.cargo.site/w/1000/i/f6e415d6cd2c0eefd1add57f783d46a874ebff723f464a2d24ffcffe52d63d82/Tim-1A.jpg" /&#62;
&#60;img width="2225" height="1500" width_o="2225" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5aa574f01c809ee0e284661fc34d6a6bf67a95de4e97bb9c0d2585cbd12e7989/portfolio_room.jpg" data-mid="246225253" border="0" alt="Installation View" data-caption="Installation View" src="https://freight.cargo.site/w/1000/i/5aa574f01c809ee0e284661fc34d6a6bf67a95de4e97bb9c0d2585cbd12e7989/portfolio_room.jpg" /&#62;
&#60;img width="1500" height="2085" width_o="1500" height_o="2085" data-src="https://freight.cargo.site/t/original/i/1638d1148c2009c006691ad6b66e761b86267c8560ff039f53526e5e0d081a15/portfolio_envelope.jpg" data-mid="246225252" border="0" alt="Chimera (print portfolio) 2025-2026, Screen print on craft paper document folio, set of 12 A4-sized screen prints on cartridge paper, digital laser print on craft paper, acoustic board, Dimensions variable, Edition of 20, Printer: Justin Andrews" data-caption="Chimera (print portfolio) 2025-2026, Screen print on craft paper document folio, set of 12 A4-sized screen prints on cartridge paper, digital laser print on craft paper, acoustic board, Dimensions variable, Edition of 20, Printer: Justin Andrews" src="https://freight.cargo.site/w/1000/i/1638d1148c2009c006691ad6b66e761b86267c8560ff039f53526e5e0d081a15/portfolio_envelope.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/72fa0b69622c518cfd82a37721b58792354a76c401b9585dcf23c58d9de0ba3b/portfolio_coversheet.jpg" data-mid="246225251" border="0"  src="https://freight.cargo.site/w/1000/i/72fa0b69622c518cfd82a37721b58792354a76c401b9585dcf23c58d9de0ba3b/portfolio_coversheet.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Chappell, Lawn</title>
				
		<link>https://haydens.gallery/Chappell-Lawn</link>

		<pubDate>Mon, 02 Feb 2026 11:27:53 +0000</pubDate>

		<dc:creator>Haydens</dc:creator>

		<guid isPermaLink="true">https://haydens.gallery/Chappell-Lawn</guid>

		<description>
	Chappell, Lawn
Danica Chappell, Minaal Lawn
06.02.2026 - 28.02.20261/10-12 Moreland Road
Brunswick East 3057


&#38;nbsp;

	Haydens is pleased to present Chappell, Lawn, a two-person exhibition of photographic and sculptural works by Danica Chappell and Minaal Lawn.
 

Engaging the photograph’s inherent material malleability, Danica Chappell explores numerous historical processes of photography. She works in the darkroom without a camera, constructing shadows through photogrammatic techniques. Within the haptic environment of the darkroom, light, shadow, form, colour, and gesture converge, solidifying as traces that sit between material fact and abstraction. Reconfiguring photographic conventions, her abstracted frames articulate rhythm, cadence, and the agency of light-sensitive substrates.

Minaal Lawn creates sculptural ceramic works marked by her materially restrained and colour-driven vocabulary. Her use of repetition transforms the physical act of making into a profound personal ritual. A powerful sense of multiplicity emerges from the accumulation of her small forms, where her ritualised labour questions the industrialised ideal.  Fundamental to identity, she draws on a deep visual tradition of object symbolism, Hindu worship culture and the aesthetics of ritual.  Creating intimate autobiographical work that invites viewers to recognize the beauty inherent in sustained devotion.

Chappell, Lawn marks the first time both artists have exhibited at Haydens and with one another, a unification of material driven practices which focus on colour, experimentation, repetition and chance. 


	
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/2c22834d17ece15b383207d48a1a9be816d9cf953738fbbeabcd111dbd5a7e5f/CL_Install-01.jpg" data-mid="246307548" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/2c22834d17ece15b383207d48a1a9be816d9cf953738fbbeabcd111dbd5a7e5f/CL_Install-01.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/26cfe20934893bafc4dc2e30f400ceeb677c52c563b69aff1dff48e5bbf72348/CL-01.jpg" data-mid="246307527" border="0" alt="Minaal Lawn, Knuckle Totem (Verdant / Harit 2), 2026, Ceramic, glaze, steel, 160 x 30 x 30 cm" data-caption="Minaal Lawn, Knuckle Totem (Verdant / Harit 2), 2026, Ceramic, glaze, steel, 160 x 30 x 30 cm" src="https://freight.cargo.site/w/1000/i/26cfe20934893bafc4dc2e30f400ceeb677c52c563b69aff1dff48e5bbf72348/CL-01.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/4ab1ba63e503bff6df67514655cbb4c9ea0d1d616ba9395f57bfb45c418e500c/CL_Install-10.jpg" data-mid="246307552" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/4ab1ba63e503bff6df67514655cbb4c9ea0d1d616ba9395f57bfb45c418e500c/CL_Install-10.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/6f5a1e2d540ccca0aa8456423e13e205e6847f3c3c5d855062989fc7ca5947ce/CL-10.jpg" data-mid="246307533" border="0" alt="Danica Chappell, Kaleidoscope (series), 2025, Hand-coloured albumen photograph vintage typewriter paper, hinged matt-mount, unframed, 41.5mm x 32.6 cm" data-caption="Danica Chappell, Kaleidoscope (series), 2025, Hand-coloured albumen photograph vintage typewriter paper, hinged matt-mount, unframed, 41.5mm x 32.6 cm" src="https://freight.cargo.site/w/1000/i/6f5a1e2d540ccca0aa8456423e13e205e6847f3c3c5d855062989fc7ca5947ce/CL-10.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/6583a877e2721902bc82d04704fe515097088c4dd599d9bf578a0ec4d714b0d2/CL-04.jpg" data-mid="246307529" border="0" alt="Minaal Lawn, Vessel Stack (Verdant / Harit), 2025, Ceramic, glaze, steel, 82.5 x 36 x 36 cm" data-caption="Minaal Lawn, Vessel Stack (Verdant / Harit), 2025, Ceramic, glaze, steel, 82.5 x 36 x 36 cm" src="https://freight.cargo.site/w/1000/i/6583a877e2721902bc82d04704fe515097088c4dd599d9bf578a0ec4d714b0d2/CL-04.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/d5598a4d3457318b3a2c7c8f1fa7c380108c470bf4196481a868df4ba9dc3a7a/CL-06.jpg" data-mid="246307530" border="0" alt="Danica Chappell, Shadow Shaping #5 2025, Chromogenic photograph, framed with timber and glass, 125 x 110 cm" data-caption="Danica Chappell, Shadow Shaping #5 2025, Chromogenic photograph, framed with timber and glass, 125 x 110 cm" src="https://freight.cargo.site/w/1000/i/d5598a4d3457318b3a2c7c8f1fa7c380108c470bf4196481a868df4ba9dc3a7a/CL-06.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3d00a13fe1d19e615309255ea347bbdd9afe09dd181117c500b3f385fa040d6f/CL_Install-05.jpg" data-mid="246307550" border="0" alt="Minaal Lawn, Not Wall No. 4, 2026, Multi object ceramic, glaze, 120 x 480 cm" data-caption="Minaal Lawn, Not Wall No. 4, 2026, Multi object ceramic, glaze, 120 x 480 cm" src="https://freight.cargo.site/w/1000/i/3d00a13fe1d19e615309255ea347bbdd9afe09dd181117c500b3f385fa040d6f/CL_Install-05.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/e404b3e53cc3248d816a8cc051e95c8edf4d4a5ca8197dfb3316786f9fa1fee6/CL-15.jpg" data-mid="246307536" border="0" alt="Detail of Not Wall No. 4" data-caption="Detail of Not Wall No. 4" src="https://freight.cargo.site/w/1000/i/e404b3e53cc3248d816a8cc051e95c8edf4d4a5ca8197dfb3316786f9fa1fee6/CL-15.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/ac5ade6937992ad9c01986d77d9e5a7865cf7f7c91d6fa37f5a7bb6fc1fbba87/CL_Install-09.jpg" data-mid="246307551" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/ac5ade6937992ad9c01986d77d9e5a7865cf7f7c91d6fa37f5a7bb6fc1fbba87/CL_Install-09.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/03b8294d77bf8c4c2b1b6d9fd3b57ccbc42dbe4a480e4149989a5e38724f8172/CL_Install-04.jpg" data-mid="246307549" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/03b8294d77bf8c4c2b1b6d9fd3b57ccbc42dbe4a480e4149989a5e38724f8172/CL_Install-04.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/7209aa6aa631856bd09d5410baa27aeeb4ab5cb1fcbc484a8635d5d376d0932a/CL-11.jpg" data-mid="246307534" border="0" alt="Danica Chappell, Kaleidoscope (series), 2025, Hand-coloured albumen photograph vintage typewriter paper, hinged matt-mount, unframed, 41.5mm x 32.6 cm" data-caption="Danica Chappell, Kaleidoscope (series), 2025, Hand-coloured albumen photograph vintage typewriter paper, hinged matt-mount, unframed, 41.5mm x 32.6 cm" src="https://freight.cargo.site/w/1000/i/7209aa6aa631856bd09d5410baa27aeeb4ab5cb1fcbc484a8635d5d376d0932a/CL-11.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/c84c51e5410bbab9af4653dbbf9b2710d070df28b05a2d9bd564b4d9c8f4c613/CL-02.jpg" data-mid="246307528" border="0" alt="Minaal Law, Vessel Stack (Sky / Gaganah), 2025, Ceramic, glaze, steel, 82.5 x 36 x 36 cm" data-caption="Minaal Law, Vessel Stack (Sky / Gaganah), 2025, Ceramic, glaze, steel, 82.5 x 36 x 36 cm" src="https://freight.cargo.site/w/1000/i/c84c51e5410bbab9af4653dbbf9b2710d070df28b05a2d9bd564b4d9c8f4c613/CL-02.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/b701d899953720c05cf60943d0d79e80c9904cb8c2f6ff83f107a07a21cac0ed/CL-07.jpg" data-mid="246307531" border="0" alt="Danica Chappell, Shadow Shaping #6, Chromogenic photograph, framed with timber and glass, 142 x 121 cm" data-caption="Danica Chappell, Shadow Shaping #6, Chromogenic photograph, framed with timber and glass, 142 x 121 cm" src="https://freight.cargo.site/w/1000/i/b701d899953720c05cf60943d0d79e80c9904cb8c2f6ff83f107a07a21cac0ed/CL-07.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c6f4f336fd697d950a4f51ed942f5482a17e716ef183fe4f16df30847a46c168/CL-08.jpg" data-mid="246307532" border="0" alt="Danica Chappell, Kaleidoscope (series) 2025, Hand-coloured albumen photograph vintage typewriter paper, hinged matt-mount, unframed, 41.5mm x 53.2 cm" data-caption="Danica Chappell, Kaleidoscope (series) 2025, Hand-coloured albumen photograph vintage typewriter paper, hinged matt-mount, unframed, 41.5mm x 53.2 cm" src="https://freight.cargo.site/w/1000/i/c6f4f336fd697d950a4f51ed942f5482a17e716ef183fe4f16df30847a46c168/CL-08.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/79214fc47bf10b9324fab0f339c733713693b2b830ce70d342c88316bdde4f93/CL_Install-11.jpg" data-mid="246307553" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/79214fc47bf10b9324fab0f339c733713693b2b830ce70d342c88316bdde4f93/CL_Install-11.jpg" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/8028657436bdb6376b2558e614ca18fbbd7b67cda70ee3dec30c10f1db7174d1/CL_Install-12.jpg" data-mid="246307554" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/8028657436bdb6376b2558e614ca18fbbd7b67cda70ee3dec30c10f1db7174d1/CL_Install-12.jpg" /&#62;

&#60;img width="1500" height="1875" width_o="1500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/bceb218d4fe7c5035e1033b353b18f5d800409e2f5b4ea28cbb6b8b9c76ee8f4/CL-17.jpg" data-mid="246307538" border="0" alt="Danica Chappell, Glimmer (Latent Doubt, #3), 2020-2021, Becquerel daguerreotype, custom hand-gilded frame, 39.5 x 44 cm" data-caption="Danica Chappell, Glimmer (Latent Doubt, #3), 2020-2021, Becquerel daguerreotype, custom hand-gilded frame, 39.5 x 44 cm" src="https://freight.cargo.site/w/1000/i/bceb218d4fe7c5035e1033b353b18f5d800409e2f5b4ea28cbb6b8b9c76ee8f4/CL-17.jpg" /&#62;

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	<item>
		<title>For A World Without Sound</title>
				
		<link>https://haydens.gallery/For-A-World-Without-Sound</link>

		<pubDate>Tue, 28 Oct 2025 06:34:25 +0000</pubDate>

		<dc:creator>Haydens</dc:creator>

		<guid isPermaLink="true">https://haydens.gallery/For-A-World-Without-Sound</guid>

		<description>
	For A World Without SoundMichael Sandford
30.01.2026 - 21.02.2026FL 1, 130 Bridge RoadRichmond 3121(enter via laneway off Lennox Street)


	
To the ancient Egyptians, dung beetles were a terrestrial deity. Their motion mirrored that of Khepri, the scarab-headed sun god who pushed the sun across the sky day after day. Their dedication to rolling balls of dung across the desert was a cosmological act in miniature, affirming that the sun would rise again and renew the world from the death of the night. For the Egyptians, the beetles suggested a familiarity with both life and death as instinctual navigators of thresholds: they descend underground to mate and emerge with new life. In this way they were seen as guides of the underworld, endlessly crossing back and forth between either side of existence.

As one sought passage to the afterlife, they were said to encounter the gods of the underworld, who awaited them with riddles, their answers to which would determine their fate. In anticipation of this moment, the precise responses required would be told to a scarab beetle. The beetle would then be mummified and placed in the ear of the deceased. At the time of judgement, as the gods asked their questions, the scarab would whisper the correct answers into the ear of the supplicant, ensuring their successful passage to the eternal realm.

In 2020 the International Astronomical Union released an image from an observatory. It’s a strange picture, as though somebody has collaged a brick wall out of the night sky and then half heartedly tried to Tip-Ex it all out. Almost indistinguishable from stars to our own eyes, the white lines that run diagonally across the image and dissect the sky are the light trails of satellites. They are highly reflective things and the light of the moon, sun and stars shine off their protective coats into the lenses of observatory telescopes. Their trails interfere with long exposure images and so the delicate observations of astronomers are interrupted by the indiscriminate movements of indelicate satellites. Five years ago there were around 3,000 satellites in space; in another five years there may be 58,000. More than half of all objects ever launched into orbit have gone up in the last five years alone. They form a mesh around the Earth, as though weaving out of light a perpetually orbiting blindfold. The sight of other planets and stars from Earth will soon be a historical oddity, offered only by the very objects that inhibit it.

The beetles have been treading almost perfectly straight lines across the sand for thousands of years with the moon and Milky Way as their guides. In an appropriately mythic turn, they now find themselves lost in circles. Their lines bend into curves that loop in on themselves. As cities throughout Africa grow, light reaches further into the desert and the night sky is slowly obscured. Orientation has become a provisional thing; it is impossible to triangulate from an oscillating centre. 

How many times can information be faithfully mirrored before it falls into noise? At some point, it might be difficult to look up to the sky and receive a clear signal that confirms one’s reality either way. Then we look down and see that we have already begun weaving nothing out of nothing to maintain the bigger, distant picture.
By Emily WebbMichael Sandford is an interdisciplinary artist based in London. His practice exploits the permeability of contemporary boundaries between virtual and physical realms in order to construct and explore new forms of public space.


	
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0b1124c6fa993efe2d4e87b4be9aeb1a71360c0b00c1a4e1ae01878cb14e2501/3.jpg" data-mid="246307592" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/0b1124c6fa993efe2d4e87b4be9aeb1a71360c0b00c1a4e1ae01878cb14e2501/3.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/9457c1316450ceeddd4e8f1916cb85ce35022c833b0eab417cbb788f3612c746/1.jpg" data-mid="246307590" border="0" alt="Installation view" data-caption="Installation view" src="https://freight.cargo.site/w/1000/i/9457c1316450ceeddd4e8f1916cb85ce35022c833b0eab417cbb788f3612c746/1.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b4d1c192cae2120744eb6e86f8379251f17aabdd02a52e377fc0aaa264db36cc/2.jpg" data-mid="246307591" border="0" alt="Installation View" data-caption="Installation View" src="https://freight.cargo.site/w/1000/i/b4d1c192cae2120744eb6e86f8379251f17aabdd02a52e377fc0aaa264db36cc/2.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a9b54b6bfcb712e76297f0af14723fc6883843f50674a7852e598a20e311dcce/5.jpg" data-mid="246307594" border="0"  src="https://freight.cargo.site/w/1000/i/a9b54b6bfcb712e76297f0af14723fc6883843f50674a7852e598a20e311dcce/5.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/357eb293a9ce93e81e880a13b110af0070f4025ad810b9ec0622c97bf1bdc7d1/4.jpg" data-mid="246307593" border="0" alt="Michael Sandford, A Break in the Weather, 2026, Single channel video with audio, 00:05:35, E 1/2 + 1 AP" data-caption="Michael Sandford, A Break in the Weather, 2026, Single channel video with audio, 00:05:35, E 1/2 + 1 AP" src="https://freight.cargo.site/w/1000/i/357eb293a9ce93e81e880a13b110af0070f4025ad810b9ec0622c97bf1bdc7d1/4.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/471de37a1d1e8c43deb3b5dffd63b20c718618cd8b87119b7f3f7a78a4b29cf3/MS-5.jpg" data-mid="246307596" border="0"  src="https://freight.cargo.site/w/1000/i/471de37a1d1e8c43deb3b5dffd63b20c718618cd8b87119b7f3f7a78a4b29cf3/MS-5.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/c16120aebc9df0baf9667cf6d02ae64201e859b74b10e98bb48ddcb70d05feda/MS-1.jpg" data-mid="246307595" border="0" alt="Michael Sandford, Planisphere I, 2026, Lead, 20 x 20 x 4.5cm, Edition 1/6 " data-caption="Michael Sandford, Planisphere I, 2026, Lead, 20 x 20 x 4.5cm, Edition 1/6 " src="https://freight.cargo.site/w/1000/i/c16120aebc9df0baf9667cf6d02ae64201e859b74b10e98bb48ddcb70d05feda/MS-1.jpg" /&#62;
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